A Thoroughly Modern English

I met up with Robbie Grey late last year for a coffee and a catch up just before he returned to his home in Thailand for the winter, but I’ve been keeping this interview under wraps until now because the band, on the surface at least, seemed to be enjoying a something of a break at the time, playing only a handful of dates in Italy, Belgium, Holland, Germany and France that year. But were they really? No. Plans were already afoot for a very busy time indeed in 2016. Perhaps one of the busiest yet in their career that has spanned four decades.

Modern English

Born out of the UK’s punk scene, and originally named The Lepers, Colchester’s post punk legends Modern English found fame in the USA in the early 80’s with their single I Melt With You from their Hugh Jones produced 1982 album After the Snow. The song became a favourite on the newly launched MTV music television station, and reached a very impressive number 7 on America’s Billboard Top Tracks chart in 1983. They also found further fame when it was also used in the ending titles of Nicholas Cage’s breakthrough movie Valley Girl that same year as well as numerous television commercials.

After several line-up changes over the years, four of the original members, Robbie Grey, Mick Conroy, Gary McDowell and Steve Walker have now been back together for the past few years and are as busy, if not busier, than they were all those years ago when it all first began.

“There’s a lot of work going on for a bunch of blokes from the 80’s,” Robbie jokes.

It certainly is, and it’s great to see them still going strong, still enjoying what they do, and giving so many of us, especially those of us from Colchester, a link back to own our teens and 20’s.

Robbie Grey
After a brief respite to settle into the year the band are off to Florida where, on February 28th, they set sail from Fort Lauderdale on The 80’s Cruise, a themed cruise where will they be joined by drummer Roy Martin and will be starring alongside other beloved artists of that decade including Kool and the Gang, Huey Lewis and The News, Tiffany, A Flock of Seagulls and many others.

The full line-up can be seen here, and if you fancy a bit of winter sun combined with some 80’s tunes there are still cabins left to book.

Robbie tells me more about it: “The 80’s Cruise is going to be hilarious. I don’t know if we just going to be stuck in our quarters and not allowed to go anywhere because I know there’s one part of the ship just for the artists. It must be a bloody big ship, that’s all I can say! There seems to be a lot of does and don’t in the contract too, including about getting drunk, so a few of us will have to watch that one!”

I tell him I have visions of Gary riding up and down the ship’s corridors on his Harley Davidson, “That might still happen!”

TEC16_460x253_TA

In May they are back across the Atlantic again, this time for the Mesh and Lace tour, a marathon coast to coast North American tour comprising over 20 dates (at time of publication) taking in Atlanta, Chicago, Detroit, New Orleans, Dallas and Los Angeles to name but a few, and also heading up into America’s northern neighbours Canada for dates in Vancouver, Montreal and Toronto.

 You can see all the tour dates on Modern English’s official website.

Modern English Dallas

Robbie explains: “There’s some songs from Mesh and Lace like Grief and The Token Man that I don’t think we’ve ever played live, so it’s going to be great to play some of the old stuff, and the early singles like Swans on Glass, and possibly even earlier stuff than that.”

Modern English
We chat about how the band are mainly known in the US for I Melt With You, “Over here they don’t know it, they want Gathering Dust and Sixteen Days. It’s a really split audience. When we play in Europe they don’t want to hear it. They want Sixteen Days and Swans on Glass, not the pop stuff, which is fair enough.”

Moving on to the current music scene I mention my surprise that I Melt With You has recently been covered by Australian singer, and ex Neighbours Star, Natalie Imbruglia on her Male album on which she covers tracks made famous by male-led acts. “There’s definitely been a resurgence, Robbie tells me. “People are just bored with all this modern music, so even the kids are looking for something a bit edgy or different that they can listen to. Back in the day Alison Moyet was going to cover it. Nouvelle Vague covered it.”

I mention the version by Mest used at the end of Not Another Teen Movie: “A lot of American pop rock bands have done versions, there’s been three or four of them over the years. Fred Durst did it. Loads and loads of people do it.”

I ask Robbie what it feels like to be having another crack at what they were doing 30 or so years ago: “We never thought we’d get to feel like that again. It’s amazing. We did a few gigs in Europe over the summer, in Paris, trendy Berlin, and all these other cities, Brussels, Frankfurt, Hamburg. We were kind of going back to our early stuff. We’d decided to give America a rest for a while as we’d played so much there over the years and to go back to our roots in England and Europe. It’s been great for Modern English to play in cities we haven’t been to in for over 30 years. It’s been really good fun.”

Gary McDowell

Meanwhile, in the background, the band have quietly been recording an as yet unnamed new album, produced by Martyn Young from Colourbox and MARRS: “It’s a varied sound on there because a lot of it was Mick writing bits of music and sending them to me in Thailand, me putting vocals on and Gary adding guitars, and Steve adding keyboards. So it’s a different flavour to us all standing in a room together, it’s got a different feel to it, but there’s some really good songs on there, some good music, some exciting music. It’ll be interesting to see what people make of it. I can imagine it being played on Radio 6, let’s put it that way, it’s got that flavour to it. Quite a lot of it is a bit leftfield, which is what we were always about.”

“It’s been brilliant over the last few years,” Robbie continues, “we’ve just finished recording the new album, we’ve got some really good songs and we’ve started writing new songs for the next album. So we’re busy, we’re not shirking, we’re doing lots and lots of stuff”

Fans pre-ordering the new album, will get behind the scenes access including footage from the studio, and sneak peeks of the new songs along with the stories behind them. To order, head over to Pledge Music, where you will also find other exclusive offers including a guitar lesson with Gary or a bass lesson with Mick, limited edition band merchandise, and signed CDs and lyric sheets. Fans can even book the band to come and play a gig in their front room for their family and friends. Yes really!

You can find out more at Pledge Music.

Modern English

Could another Colchester gig be on the cards? “It would be nice to play in Colchester again, so who knows?”

With a band that’s been around as long as Modern English it seems that anything is possible.

www.modernenglish.me

Official Modern English Facebook

Official Modern English Twitter

Simon

 

 

 

 

Simon Crow

Keep the Green Clean

Keep The Green Clean is a local community project which aims to create and maintain Greenstead Slopes and Ghost Wood as a litter-free environment for all to enjoy. Karen Waddy tells Colchester 101 more about it.

It all began several years ago when a few dog walkers began picking up other people’s rubbish while they were out with their pets. When I first became involved the stream (Porter’s Brook) which runs behind the wood was full of old mattresses, empty paint tins and even a rusty old motorbike frame. The wood was full of ‘dens’ created from broken bits of furniture and were a magnet for anti-social behaviour. We contacted Colchester Borough Council about the larger items, which they removed for us; something we still have to request but thankfully not as often nowadays.

Rubbish

We’re incredibly lucky to live on a large council housing estate and yet have this remarkable natural area literally on our doorsteps. In the spring we’re treated to a wonderful display of buttercups in their millions across the bottom of the slopes, before the wood is covered in a carpet of fabulous bluebells. The wildlife is incredible, with a natural meadow full of butterflies, bees and grasshoppers and trees filled with a wide array of birds; from tiny sparrows to large jays, as well as grey squirrels. Since ridding the stream of junk we now have the water running freely; something which hasn’t happened in years.

Buttercups

I started writing a couple of blogs about the project two years ago in an effort to engage local residents in the scheme and to attempt to get others to help out with the ongoing task of keeping the green spaces tidy, and to advertise events which we organise. We held a Dog Awareness Day during June 2013 in order to tackle the thorny issue of irresponsible owners allowing their dogs to foul the area, and October 2015 we held a Planting Day, when a group of us, assisted by the Community Payback Team, planted hundreds of snowdrop, crocus and daffodil bulbs around the trees and at the edges of the field. We’re hoping to see a lovely display in the spring.

dog awareness day

bluebells

February 2015 Keep The Green Clean and Ghost Wood / Greenstead Slopes were both given prestigious RHS Neighbourhood Awards from Colchester in Bloom.

On 23rd September we were awarded the Trinity House Trophy in the Best Community Project 2015 category by Colchester in Bloom. November 2015 we were nominated for an award from Colchester Borough Homes for Action Against Anti-Social Behaviour.

trophy

We’re very lucky to have the support of our local Street Warden along with Colchester Borough Council.

The Woodland Trust have kindly said they’d donate 30 saplings for us to create a small copse adjacent to Ghost Wood; 10 silver birch, 10 rowan and 10 wild cherry. This is in keeping with our long-term plans of leaving a legacy for future generations to enjoy. The saplings are due to arrive in March, when we’ll hopefully be able to arrange a few volunteers to help with the planting. If anyone has any saplings they’d like to donate towards the new copse, or if anyone would like to help with the planting or offer ongoing support, our email address is keepthegreenclean@gmail.com

Keep the Green Clean – Blogspot Blog

Keep the Green Clean – WordPress Blog

Karen Waddy

 

 

 

Karen Waddy

Deadpool

Ryan Reynolds’ motormouth antihero Deadpool finally gets his own movie which opens at Colchester’s Odeon Cinema on 10th February. To get you in the mood, our intrepid movie reviewer Andy Oliver has been along to a preview and has this exclusive review for Colchester 101’s readers. We get the impression he rather liked it!

Deadpool

After just a single viewing of the new Ryan Reynolds vehicle (though that’s grossly underselling the term), Deadpool, I can confidently say that this is going to be massive to a certain demographic: It may well be the ultimate movie of the “Lad Bible” generation. It will launch a million internet memes and be quoted endlessly wherever 15 to 30 year-old boys gather.

For the rest of us? It teeters on a very thin line between entertaining and insufferably smug.

Created in the early nineties by comic book writer/artist Rob Liefeld and writer Fabian Nicieza, Deadpool first appeared in Marvel’s X-Men spin-off series The New Mutants. Originally designed to be an antagonistic character he soon became one of the most popular characters in the Marvel Universe, an antihero with spectacular healing powers and a tendency to fill the panels with his verbose wit (earning himself the appellation, “The Merc with a Mouth”). His other “super-power” is his meta-awareness: an ability to break the fourth wall; he’s the only character who actually realises he’s in a comic book and frequently aims his quips and asides directly to the reader.

This is the second time Reynolds has played the character, Deadpool was first seen in the universally panned X-Men Origins: Wolverine but was so woefully handled that the actor (a fan of the character) campaigned long and hard to get a second chance to play him and, more importantly, to play him exactly as he’s written in the comics, to get it right.

Deadpool
The movie is basically a revenge tale scattered with, sometimes over-long, “Origin story” flashbacks. Wade Wilson (Ryan Reynolds) is a mercenary soldier with a heart of gold who falls for the prostitute, Vanessa (Morena Baccarin) who services the “needs” of the customers at his favourite Merc’ bar. When he is diagnosed with inoperable cancer he volunteers for a treatment that will awaken his latent, mutant super-healing power. Unfortunately, the experiment is a cover for a torture chamber and when his power finally surfaces it leaves him horribly disfigured. Unwilling to let Vanessa see him in this state, he dons the persona and costume of Deadpool and vows to track down the villain responsible for his misfortune, Ajax (Ed Skrein).

And, uh, that’s it. To say this plot is thin is an understatement, it’s practically skeletal, even for a comic book movie it’s under-nourished. But that’s not the point of Deadpool, the plot is secondary to the gags and the action. It’s in these aspects that you will either love or hate this movie, if you ever wanted the scattershot comedy of Airplane! to be crossed with stylish ultra-violence of The Matrix or 300, then Deadpool is definitely the movie for you. For everybody else, Deadpool is a wobbly, flat-pack wardrobe overladen with designer great-coats and “wacky” shirts that you’ve only ever worn once and are, quite frankly, past their return date.

Deadpool

The structure of the film is both its strength and its weakness, the flashbacks allow us to get straight into the super-suited action, rather than the usual interminable wait to see the hero you actually paid to see, but tend to go on a bit too long and the action sequences tend to head downhill after the first set-piece. Rather than build the tension, the movie almost feels like it’s tailing off, like a balloon blown up to bursting point and then the air is slowly released in a squeaky-fart that’s initially funny but grows increasingly tiresome. Unfortunately, the best action scene in the movie not only comes right at the beginning, but the chances are you’ve already seen it – it’s been available on the internet for ages, it’s the highway battle released as test footage on YouTube. The final action scene is good enough but it’s all a bit generic and unsatisfying.

There’s probably fifty percent of the jokes that hit home, which is a pretty good ratio when you look at the majority of comedies released in the last twenty years, but when they miss they come across as smug and annoying. Deadpool is a lot like Bugs Bunny, he’s obnoxious, but you kind of enjoy his cruel antics, then again, five minutes of Looney Tunes is a lot more bearable than an hour and fifty of Deadpool. For me, the constant breaking of the fourth wall became very tiresome very quickly and I began questioning many of the “meta” gags as too knowing without any awareness at all. For instance, he references Green Lantern (Reynolds’ other high profile superhero appearance – and flop) but never questions the thinness of the current movie he’s appearing in, I would have been more invested in the film if his thoughts on his story echoed my own: “I know this is weak, but wait for the sequel”, uttered just once might’ve worked in its favour.

Deadpool

Ryan Reynolds is genial enough, though sometimes his delivery comes across as a little smarmy, and overall he hits the right note. Morena Baccarin looks like she’s just on the edge of doing something good if only the script let her, but mostly she’s just another damsel in distress, a sadly generic role that points to the sensibilities of the film’s target demographic. Ed Skrein is okay, I really can’t say anything other than that, he’s not bad but he’s not a great villain. TJ Miller, as Wade/Deadpool’s buddy, Weasel, steals it as the best secondary character and really nails the majority of his gags. There’s a few other comic book cameos: Colossus (Stefan Kapicic) a motion captured steel man, Negasonic Teenage Warhead (Brianna Hildebrand) a surly teenage powerhouse and Angel Dust (Gina Carano) who’s… well, she’s in it. Karan Soni is funny as an Indian cab driver but Wade’s flatmate, a blind old black lady called Al (Leslie Uggams) feels like a wasted opportunity for some good laughs.

First time director Tim Miller shows more of his weaknesses than his strengths (he came from a background of video games and special effects, and it shows), whilst the scattershot script by Zombieland scribes Rhett Reese and Paul Wernick, mostly, delivers what the fans want.

Deadpool is an utterly juvenile experience, but that’s the point. It’s difficult to criticise a movie that so joyfully embraces its own immaturity. I didn’t hate it, Deadpool is diverting, at times fun, at times very funny and at times annoying and how much you enjoy it will depend on how many of those jokes hit home for you. There are worse ways to spend a couple of hours. Fantastic 4, anyone?

Andy Oliver

 

 

 

 

 

Andy Oliver

 

Bringing Back the Bucks!

If you like to get your nostalgia groove on once in a while then the Mercury Theatre has the perfect night coming up for you when Cheryl, Mike and Jay formerly of Bucks Fizz will be bringing the 80s back to Colchester.

Make Believe Tour

It is 35 years since Bucks Fizz stormed to the top of the charts around the world after winning The Eurovision Song Contest for the UK with the skirt ripping song “Making Your Mind Up”!

The Band’s line up is classic Eurovision – two boys, two girls, dance routines, harmonies and extravagant  outfits.

Originally put together as the perfect winning act, Bucks Fizz went far beyond their original Eurovision remit and as one of the biggest selling bands of the 80’s became a global phenomenon.  “Making Your Mind Up” became a number one hit across the world selling more than four million copies.  The legendary skirt-ripping routine propelled them to overnight success charting at No. 1 in 9 countries beyond the UK.

Cheryl Baker, Mike Nolan and Jay Aston are joined by Bobby McVay, himself a Eurovision veteran having represented the UK in 1983  with the band, Sweet Dreams, singing “I’m Never Giving Up”, which came a credible sixth in the competition.

Cheryl says, “I cannot believe it is 35 years since we won The Eurovision Song Contest!  We are looking forward to celebrating with fans old and new.  We recreate our familiar hits both vocally and visually which takes the audience on a nostalgic journey back to the 80’s.”

Bucks Fizz

Like a good champagne, their performances have matured, and they still manage to hold all the fun, vitality and passion of performances of the record breaking tours of the 1980’s. Recent appearances at the nostalgia festivals, including Here and Now, Rewind and Let’s Rock, have reminded the Great British public of the power of The Fizz, as every person in the crowd finds themselves singing along and dancing to hits of their youth, and on 21st March fans young and old have the chance to catch them on their Make Believe Tour at the Mercury Theatre.

The once 10 year old screaming fans of the 80’s are now 40 year old mums who bring their own 10 year olds – The Fizz’ appeal spans the generations!

Bucks Fizz2=

This year will also see the release of their most recent album Fame & Fortune on vinyl in a collector’s presentation box.  They are also in the studio with a world-renowned producer recording yet another album – a collaboration that the fans will be thrilled about.

THEY ARE MAKING THEIR MINDS UP TO KEEP ON FIZZING.

Monday 21st March

Mercury Theatre, Box Office  01206 573948

Website

For further information on CHERYL, MIKE & JAY formerly of BUCKS FIZZ, check out the following website/social media links below:

Official Website

Facebook

Twitter

Colchester Classics – Classical Music Picks for February

Our Classical Music columnist Liz Leatherdale, founder and owner of Colchester Classics, brings you her pick of February’s Classical Music events in, and around, Colchester.

Classics

Rachmaninov Piano Concertos

This month St Botolph’s Music Society begins its 50th anniversary anniversary celebrations in a Gala Concert with two international pianists Noriko Ogawa and Philip Smith performing two Rachmaninov Piano Concertos. The society was founded by Colin Nicholson, former Head of Music at Colchester Royal Grammar School, who continues to be active within the society and at the church.

Rachmaninov’s Second Piano Concerto, often described as the greatest ever written, will be performed this month by international pianist Noriko Ogawa accompanied by the St Botolph’s Music Society Orchestra. This music is virtuosic and lyrical for both soloist and orchestra.  The main theme from the sublime second movement has been used elsewhere including the modern ballad ‘All by Myself’.

Philip Smith will be the soloist in Rachmaninov’s most technically challenging third Piano Concerto. This work is  often over-shadowed by No.2 but  received greater recognition when featured in the film, Shine.  The Oscar-winning success of the film ensured a new audience  became aware of this Romantic work. The movie told the true story of the Australian concert pianist David Helfgott, who suffered a mental breakdown and abandoned his career for many years.   Saturday 6 February 2016 at 7.30pm, St Botolph’s Church, Colchester.

Tickets: £15 (01206 823662)

 

Colchester Bach Choir and Orchestra

The same venue will also host the 24th annual concert performed by the Colchester Bach Choir and Orchestra in aid of the Mayor of Colchester’s Charities. Over the years these concerts have raised many thousands of pounds for good causes. As well as Bach’s Magnificat, the concert includes Vivaldi’s most famous choral work, his Gloria in D.  This popular piece is characteristic of Vivaldi’s style with distinctive rhythms, joyful choral writing and bright orchestral accompaniment. Saturday 20 February 2016 at 7.30pm.

Tickets: £12 (01206 282206)

 

Teddy Bears Musical Picnic

This year Colchester Arts Centre hosts the annual Teddy Bears Musical Picnic concert with the Colne Valley Youth Orchestra  offering children with teddies a chance to try conducting the orchestra and to play percussion instruments and sing!  The orchestra will perform a variety of suitable orchestral music including arrangements of the concert’s namesake “Teddy Bears’ Picnic” and the popular poem “We’re going on a Bear Hunt” set to music. Sunday 7 February 2016 at 2.30pm, Colchester Arts Centre. See www.colchesterartscentre.com for further details.

Tickets from £3 

 

The Kingfisher Ensemble returns to Colchester on Sunday 7 February performing Dvorak Sonatina in G and his Piano Quintet No.2 in A and Schumann  Piano Trio No.1 in D minor. This concert is in the Lion Walk Church in Colchester and start at 2.45pm. Admission is by programme at the door.

£12 for adults; £10 for concessions (senior citizens); and £2 for those in full-time education. You may also reserve tickets for collection just before the concert by contacting kingfisherensemble@gmail.com .

 

Puffin Ensemble

Later in the month the Puffin Ensemble performs  a programme including Haydn’s Symphony No.83, Mozart’s popular Sinfonia Concertante and Schubert’s Symphony No.5 in St Botolph’s Church, Colchester. Tickets available on the door or call 01206 271128. Adults £14 – Concessions £11 – Full-time education £3

 

If you have a forthcoming concert of classical music, you would like previewed, contact Liz Leatherdale on 0800 999 6994.

Start your love affair with Classical Music at www.colchesterclassics.co.uk and take a minute to watch their company video:

Liz Leatherdale

 

 

 

 

 

 

Liz Leatherdale

Creed

Sylvester Stallone’s Italian Stallion is back for the seventh film in the Rocky series, but the first neither written nor directed by Stallone. Colchester 101’s Andy Oliver reviews the Colchester Odeon’s latest January offering on the big screen.

Creed

If you have loved the Rocky movies, as bad as some of them became, then you, like myself, may find yourself wiping a grateful tear from your eye at some of the wonderfully respectful moments that appear in Creed. The sight of Rocky (Sylvester Stallone) pulling his folding chair out of a tree in a cemetery; the crudely painted ‘Eagles’ graffiti daubed on a bridge; a pair of sneakers hanging from an overhead telephone cable; Cuff and Link, Rocky’s turtles, the only friends he has left now that even the incorrigible Paulie has died. Creed shares many of the same beats as the original Rocky, but it’s sly and canny about them, never letting the previous six movies hold sway over it. Creed is its own movie and, quite honestly, it is absolutely terrific.

So, what if you’ve never seen a Rocky movie before or maybe you’ve only seen a couple, do you need to do a marathon catch-up session to bring you up to speed with Creed? Absolutely not, Creed easily stands alone for the newcomer and everything you need to know is skilfully worked into its exhilarating script. Just sit down and enjoy. If you love it, there’s a six whole movies (of varying quality, it must be said) for you to dip into at a later date.

Adonis Johnson has never known his father and his mother has died whilst in his formative years, the movie begins with a young Adonis in juvenile detention, segregated from the general prison population for fighting. When Mary Anne Creed arrives at the detention centre, young Adonis discovers that he is the illegitimate child of former boxing world champion, Apollo Creed, who died in the ring before he was born.

Creed

Having been adopted by Mary Anne (Phylicia Rashad), ‘Donnie’ (Michael B. Jordan) grows up in privileged comfort, but the fighter inside him still rules the quieter side of him that has carved out a successful career working in finance, he fights in semi-professional bouts in Mexico by night and the office by day. He has ambitions to be a fighter, like his father, but when he finds that his Los Angeles gym have no interest in training him he moves to Philadelphia to find Apollo’s former-adversary and greatest friend, Rocky Balboa, and convince him to become his trainer.

Although initially reluctant, Rocky decides to help his friend’s son achieve his dream and, when an opportunity to fight for a world title reveals itself, finds that the young man’s life is mirroring his own and rediscovers the fighter within himself.

One of the great appeals of Rocky (the original movie) was not in the fighting but that it’s a really sweet love story about lonely people taking a chance, it’s about taking a leap of faith and trusting that strong arms are there to catch them. Creed also has a great love story that’s not tacked on but is integral to the plot. ‘Donnie’ meets and falls in love with Bianca (Tessa Thompson), an aspiring musician with degenerative hearing loss. The fact that both are pursuing careers that they both love and both understand will ultimately destroy them is what gives this love a remarkable power and an underlying tragedy. Neither ever questions the other’s love of their respective paths and there are no interminably angsty moments where either pleads the insanity of the other’s choice, it’s just an incredibly sweet and supportive love, beautifully imagined and played.

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Jordan is magnetically great as the driven and internally confused ‘Donnie’ Johnson/Creed; he has an explosive temper and an expansive smile and quietly brings the character through a host of emotions; he has a confident swagger, but never comes across as cocky; he has his father’s sense of showmanship and Rocky’s humility. It’s difficult not to love his character.

Tessa Thompson, as ‘Donnie’s’ girlfriend, is sharp and funny and is full of righteous, take-no-prisoners, suffer-no-s**t attitude. She’s as driven as her boyfriend and this is a major part of his attraction to her. She’s no shut-in like Adrian, the love of Rocky’s life, Bianca is her own person, she doesn’t need ‘Donnie’ but her life and her music is enhanced and made greater with him in it.

Rounding out the trio is Sylvester Stallone, reprising the role that first brought him fame nearly forty years ago, and you have to ask, “Where has this Stallone been?” He is superb as the bumbling, shy, lost former world-champion. He has lost everyone he loved and is ready to just fade away until this young man enters his life, in health and in sickness Stallone manages to bring tears to your eyes. It’s a great performance, subtle, funny, heartbreaking and makes you wish you could have seen more of this Stallone rather than the violent, muscle-bound hero roles that seem to have padded out his career to date.

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Fans of the Marvel super-hero Universe will, no doubt, be overjoyed that director, Ryan Coogler, has signed on to make that studio’s Black Panther movie after watching Creed. Coogler keeps the camera moving and, during the fight scenes, gets up close and personal with the boxers, weaving around and between them so that the viewer truly understands the brutality of each hit and the physical intimacy of the combatants. There’s even a single shot during one of the fights that lasts so long that when you finally notice it it leaves you reeling at its pure audacity. These aren’t camera set-ups for the sheer flashy, “Look-how-smart-I-am” bravura of them, Coogler uses his shots to serve the story not to make the viewer appreciate his style, it’s refreshingly honest and effective.

While that camera floats like a butterfly, it is in the emotional honesty that Creed stings like a bee. Whether or not you’re a fan of the Rocky movies, there is almost too much to enjoy in Creed and you may find yourself involuntarily shedding a tear and punching the air by turns.

Andy Oliver

 

 

 

 

Andy Oliver

The Hateful Eight

Whilst Star Wars: The Force Awakens continues to break box office records, Quentin Tarantino’s latest movie, and his second western, The Hateful Eight, has begun its run at the Odeon. Colchester 101’s Andy Oliverwas one of the first to see it and has written this review.

Hateful Eight 1

Without beating around any bushes I’m stating this right at the start of the review: The Hateful Eight is a difficult, brilliant and, sometimes, frustrating movie. It’s a movie that is a hard watch, there’s almost too much going on beneath the brutally harsh surface; it’s a scathing indictment of America not just then, but now; the language shoots bullets at the characters and the audience; the violence is shocking and extraordinarily bloody; and, yes, it’s way too long, some scenes drag out for ages and add nothing to your understanding. The Hateful Eight is Quentin Tarantino at his best and, occasionally, at his most indulgent worst.

Oh, and it’s really, really funny (in a twisted kind of way).

Set during the Reconstruction period following the American Civil War, The Hateful Eight begins with bounty hunter, Major Marquis Warren (Samuel L. Jackson) flagging down a ride from a passing stagecoach in the snowbound landscape of Wyoming. The passengers in the stagecoach just happen to be fellow bounty hunter, John Ruth (Kurt Russell) and his ‘bounty’, Daisy Domergue (Jennifer Jason Leigh). As the party look to stay ahead of an advancing storm they pick up a second hitcher by way of Sherriff-to-be Chris Mannix (Walton Goggins) but find they’ll have to take shelter at a frontier trading post, Minnie’s Haberdashery. It’s here that the majority of the movie’s action plays out in a kind of Agatha Christie one-set stage play, except this is not a Whodunnit as it is a who’s gonna do it?

Hateful Eight 2

Also sheltering in Minnie’s are yet more weird and disparate characters, effete Brit, Oswaldo Mobray (Tim Roth), cowboy, Joe Gage (Michael Madsen), aged Confederate General Sandy Smithers (Bruce Dern) and a Mexican called Bob (Damian Bichir), who may, or may not, have been left in charge of the trading post by its proprietors. As suspicions grow between all those sheltering from the blizzard, it becomes obvious that one, or more, may be there to try to rescue Domergue from imminent demise at the end of the hangman’s noose.

The Hateful Eight is probably Tarantino’s talkiest script since Reservoir Dogs, and the dialogue crackles back and forth as these despicable characters start to engineer the deaths of each other as secret grudges and new recriminations boil to the surface. There will be blood. Lots of it.

The casting of the movie is absolutely en pointe, there’s not a poor performance amongst the ensemble and Jennifer Jason Leigh is standout incredible as the maniacal, terrifying Daisy Domergue. At the start of the film you’ll be shocked and possibly upset by the violence meted out on her character, but there’s a reason she’s in chains: the screen probably hasn’t seen such a dangerous, unhinged and manipulative character since Heath Ledger’s Joker in The Dark Knight. She’s terrific.

Hateful Eight 3

The Hateful Eight feels like a response to Tarantino’s last two movies, Inglorious B*****ds and Django Unchained, both revisionist revenge movies in which the Jews finally get to take a proper revenge on Hitler and a freed slave delivers an explosive two fingered salute to the wrongs exacted upon black plantation workers during the Reconstruction. Where white audiences could feel good about siding with the black man in Django, there is a huge finger pointing us down in The Hateful Eight. A viciously racist Confederate terrorist is raised to the position of lawman, you only have to watch the news or pick up the papers to understand where this is coming from and we, the white audience, are the ones watching from a distance and doing little but tutting. Tarantino has been accused of constantly and flippantly using the “n” word in his movie, here he uses it to devastating effect, it’s as deadly as the bullets that copiously fly in the final act. There’s also a conceit involving a letter that I won’t go into, I’ll let you discover it yourselves, anything I were to say about it would be a major spoiler.

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The more cine-literate of you won’t help but notice Tarantino’s homage to John Carpenter’s The Thing, there’s an unused part of Ennio Morricone’s score to begin with. All these characters are trapped in a snowy waste and one, or more, may be hiding a secret, an infection of hate that continues to plague western society to this day. It’s an incredible use of homage to put across a thematic message that few film-makers working today would even consider, let alone have the skill to pull off.

And, yes, it’s too long. Probably half an hour and this is bound to give ammunition to nay-sayers of Tarantino and, even as a fan, I would agree that he can sometimes be too verbose in his scripts and linger too long on a shot he deems perfect. Brevity, thy name is not Quentin.

The Hateful Eight is not a film that will be universally loved, but it’s not asking to be. It is asking questions of the audience that the audience will not always enjoy finding the answers to. And that is its power.

Andy Oliver

 

 

 

Andy Oliver

Colchester Classics – Classical Music Picks for the Remainder of January

Our classical music columnist Liz Leatherdale, founder and owner of Colchester Classics, brings you her second lot of picks of January’s classical music events in and around Colchester

 

The Magic of the Musical

The WEA (Workers’ Educational Association), founded over one hundred years ago, provides education for adults on many topics including Music. Professor Bill Tamblyn is the tutor for “On the Shoulders of Giants”: composers who influenced music history with their large-scale symphonies, such as Havergal Brian, Shostakovich and Vaughan Williams. WEA West Bergholt Branch from January 12 (01206 240512).

Chris Green is the tutor for “The Magic of the Musical”, looking into music theatre from Greek antiquity to current hit musicals: their musical, social and economic place.

This 10-week course is presented by the WEA Colchester Branch from January 14 (01206 502698)

 

On the Bright Side

Saturday 9 January – Chris Green conducts the Trianon Choir and Symphony Orchestra in a concert entitled On the Bright Side with toe-tapping music from Gilbert & Sullivan, Eric Idle, Eric Coates, Rodgers & Hammerstein and John Williams. Some choir and orchestra members will be busking outside the concert venue from 6.40pm in aid of charity. This concert starts at 7.30pm and is in the Ipswich Corn Exchange, IP1 1DH.

Tickets: from £9.50 (01394 283170)

 

Puccini

The Kingfisher Ensemble performs its first concert for 2016 in Lion Walk Church, Colchester at 2.45pm. Founder and leader Beth Spendlove will be joined by Greg Eaton, Wendy Poulston, Susie Davis & Chris Slatter performing Puccini’s  Crisantemi in C#minor, Beethoven’s  String Quartet in Bb No.6 op.18 No.6 and Schubert’s  String Quintet in C op.Posth with two ’cellos

 

Essex Chamber Orchestra

Many musicians based in Colchester and the surrounding area perform with the Essex Chamber Orchestra. This orchestra comes together three times a year for intensive weekend rehearsals followed by a series of concerts.  Its first intensive weekend course for 2016, culminating in a concert on Sunday 10 January 2016 at 7pm. This concert includes popular music including Waldteufel’s Skater’s Waltz, Johann Strauss’ Blue Danube and Khachaturian’s Masquerade Suite. Ingatestone & Fryerning Community Centre, 7 High Street, Ingatestone

 

Ian Ray and Geoff Harniess

Following last Tuesday’s lunchtiEssex Chamber Orchestrame concert in Colchester’s iconic Moot Hall, this Wednesday Ian Ray will be accompanying trumpeter Geoff Harniess in their debut lunchtime recital at the Cramphorn Studio in Chelmsford. January 13 at 1pm (01245 606505).

If you have a forthcoming concert of classical music, you would like previewed, contact Liz Leatherdale on 0800 999 6994.

Start your love affair with Classical Music at www.colchesterclassics.co.uk and take a minute to watch their company video:

 

Liz Leatherdale

 

 

 

 

Liz Leatherdale

The Revenant

The Revenant goes on general release next Friday, but Colchester 101’s movie reviewer Andy Oliver has seen a preview of Alejandro Gonzalez Iñárittu’s adventure about survival and the extraordinary power of the human spirit starring Leonardo DiCaprio and Tom Hardy. Here’s what he has to say about it.

 
Director Alejandro Gonzalez Iñárittu’s sprawling tale of wilderness survival is visually immaculate, occasionally harrowing but, overall, empty, soulless experience. It’s a “York Notes” of a movie: It is representative of a story for people who don’t want to think too much about it; it’s a cheat sheet that lacks any of the nuance, subtlety or character of a real film; you get the story but none of the stuff that makes that story live. It’s all surface with absolutely nothing going on underneath. That wouldn’t be so bad if it were just an all-out action movie, but The Revenant is desperately trying to be something else: It’s trying to be “Important”.

The Revenant 1

The Revenant is (very) loosely based on the story of an ill-fated fur trapping expedition to the upper reaches of the Missouri river which came under attack by native Arikara warriors. About a dozen men managed to escape, amongst them were such frontier badasses and mountain men as Hugh Glass, Thomas Fitzgerald, Jedediah Smith and a young Jim Bridger. Fearing further attacks, the company decided to make an overland escape to Fort Kiowa, some two hundred miles to the south. It is during this escape that Glass was attacked and badly mauled by a bear and left for dead by his company. Glass was close to death and two volunteers, Fitzgerald and Bridger, were recruited to stay with him until he either recovered or died. Claiming they were surprised by a party of Arikaras and that their ward had died, Fitzgerald and Bridger abandoned Glass and later caught up with the rest of their party. Glass, however, survived and managed to crawl as far as the Cheyenne river where he managed to fashion a crude raft which he used to float down the river to the safety of the fort.

The Revenant 2

It’s a story you might feel you have seen before and, if you’ve ever seen Man In The Wilderness starring Richard Harris, then you have. Special effects have moved on since then but strangely the bear attack in that movie is so much more terrifying and carries so much more weight than the extended cgi attack in The Revenant. (Please be aware that animals come off second best in this film, especially two rather shocking horse deaths)

There’s a lot of the movie which is fairly true to the story, but a lot of liberties are taken to “Hollywood” it up. There’s a whole bunch of flashback nonsense about a floaty, dead wife and a half-breed son is introduced presumably to “up” the racial injustice angle. There’s also exasperating dream sequences where (beaver trapper) Glass stands before a mountain of buffalo skulls (because beaver skulls are less interesting visually?), playing up the movie’s eco credentials. None of this stuff adds anything except more interminable minutes to an already over-long test of endurance.

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People are already mooting Leonardo Di Caprio’s performance as Glass as possibly Oscar winning. Apart from one scene toward the end where he manages to capture the white-hot madness of Glass’s thirst for revenge, Di Caprio mainly grunts, growls, vomits and crawls around with a mouth full of dirt and a beard full of frozen snot. On those terms, it’s not a bad performance, but it is little more than adequate. Tom Hardy and Will Poulter, as Fitzgerald and Bridger respectively, are a lot more interesting to be around and there is a palpable feeling of relief every time their story takes centre stage. Hardy’s internalisation and mumbling as the cruel and manipulative Fitzgerald works perfectly and Poulter is great as a young man haunted by the cruelty he has witnessed both perpetrated by and upon the natives who pursue them.

Unfortunately, The Revenant is not their story and so we return to Glass and his epic trek through the stunningly shot wilderness. The cinematography is the real star of the film, all shot in natural light by Oscar winning director of photography, Emmanuel Lubezki, it’s just a shame that the film is so empty, it reduces every shot to the equivalent of staring at a slideshow of desktop wallpapers.

The Revenant 4

Iñárittu is a frustrating film maker, he knows how to tell a story, he has an incredible eye for detail and yet he is, seemingly, always trying to make “Important” movies rather than focussing on emotional truth and honesty. For all the tales of hardship that have come from the shoot, there is little feeling of jeopardy, pain or bravery from the film. Ultimately, The Revenant fails to grab either emotionally or intellectually, which is a shame because it’s such a great story… Unless you’re a bear… Or a horse.

Andy Oliver

 

Andy Oliver

A Night of Flamenco

On Saturday 7th May 2016 Colchester’s Mercury Theatre plays host to the passionate and seductive art form of Flamenco when the Jairo Barrull Flamenco Company present:

El Llanto Se Mueve (The Cry Moves)

Flamenco dancers Jairo Barrull and Irene ‘La Sentio’ are joined by a full cast of award winning gypsy musicians from Andalucia to evoke the pure essence of flamenco’s soul: el llanto (the cry).

Jairo said: El Llanto is the root, the beginning of everything flamenco.  El Llanto is purity, beauty, sadness and suffering.  It is the mixture of cultures, identities and it is history.  It is the voice of our ancestors, The Untouchables caste that came from India centuries ago.  The singer’s cry that interacts with the cry of the guitar strings is what inspires me and makes me move.  It makes me lose myself in my dancing and brings about that magical moment on stage.  What some might call ‘El Duende’.

Jairo Barrull El Llanto Se Mueve 2

Jairo Barrull has been performing professionally since he was seven years old.  He comes from one of the most charismatic gypsy flamenco families in Andalucía ‘Los Negros de Ronda’ also known as The Del Gastor family.  Jairo has performed all over the world including a performance at the Vatican for the Pope John Paul II when he was just 13 years old and in sell out shows at the Alte Oper of Frankfurt with German juggler Francis Brunn in ‘Incognito’ and at the Berliner Philharmonie where the German press repeatedly declared him ‘The Hope of Dance’.  In 2009 he formed his own flamenco company which has presented flamenco shows ‘Barrull’ and ‘Dos Ramas’ in some of the most prestigious flamenco festivals in the world.

Flamenco dancer Irene ‘La Sentio’ has performed extensively throughout Spain and in 2008 she became a finalist in the ‘Concurso Nacional del Cante de las Minas’.  In 2010 Irene joined Farruquito’s company and participated in two of his shows including ‘El Baile Flamenco’ where she toured South America and received great reviews.   Irene currently resides in Madrid where she performs regularly at the ‘tablaos’ Casa Patas, Villa-Rosa and El Tablao de Carmen.

Jairo Barrull press review:

“An artist so remarkably accomplished and even elegant at every moment”

 Los Angeles Times

Irene ‘La Sentio’ press review:

Irene’s feet, neat and blunt, a real hurricane of force”   

Manuel Sualis, Jerez Jondo

Jairo Barrull El Llanto Se Mueve

For more information please visit www.jairobarrull.com

Date: Saturday 7th May 2016

Venue: Mercury Theatre, Balkerne Gate, Colchester, Essex CO1 1PT

Time: 7.30pm

Tickets: £20 & Discounts

Call: 01206 573948 or visit www.mercurytheatre.co.uk